November  14 – 2006

Questions and comments for this issue:

+ Where I bang on about Jet Lag and treating yourself.
+ Chronic Fatigue – looking for the meaning of symptoms.
+ Palpation broken down into Symmetry, Amplitude and Quality.
+ Is bone ‘set’?

Hello ,
I have some very important findings to share
with you about jet lag.  As you know I’ve just
moved back to Ireland.  The night we arrived here,
my wife Mege said she had a backache and asked me
to have a look at it.

Now here’s the interesting bit.  When I tuned
into her system, I found that her cerebro spinal
fluid was all over the place.

No, I don’t mean in an ‘Aliens’ sort of way.  I
mean her system felt like one of those snow domes
that had been shaken.

What’s a snow dome?

You know, one of those little glass domes
filled with water that you shake and it looks like
snow falling on the inside.

Why was her CSF so disturbed?

Well, as I stayed with her system, it revealed
that the source of the disturbance was, and this
is from her CSF’s perspective, the sudden movement
across a huge distance.

Wha?

I know,
but there was a really strong sense that the
connection between her CSF and it’s external
environment had been disturbed greatly by the
change in location. It was in turmoil because it
had nothing to orient itself with.

Orient itself?

Yes, there was definitely a sense of her CSF
sloshing around trying to find reference points to
attune with.

And in that effort to orient itself, it was
very clear to me how linked our CSF is to it’s
environment on a local and global level.

It reminded me of the way bats use sonar for
navigation in the dark.  They emit a high pitched
sound which bounces off the surrounding terrain.
The bat can tell where it is by how long it takes
the sound to bounce back to it.

It doesn’t feel like our CSF emits something,
it feels more like the sort of connection that we
as therapists make when we entrain with a patients
system.

It’s the same with our CSF, it entrains with
the energetic rhythms of it’s environment.

This is probably obvious but I’ll mention it at
this point, the moon stood out as the main point
of triangulation for our systems.

The moon?

Yeah, it felt like the moon was crucial to
orientation.  It worked something like this.

The first point of orientation was the system
itself.  The second point was the systems position
on earth.  These two reference points, while
crucial didn’t seem to provide enough dimension.
It felt like the moon provided a third point of
dimensional reference and so triangulated the
system in space.

The disturbance in Mege’s system felt like it
was caused by the sudden change in two of the
reference points.

So what did I do about it?

Well, like most things, seeing what the problem
is is 90% of the solution.
I acted as a sort of conduit for her system.  I
consciously attuned to the locality.
As soon as I started to do this her system
paused.  It felt like it was listening to a rhythm
my system was drawing its attention to.

Then I consciously attuned to the location of
the moon.  Within minutes her system had settled
into deep harmony with itself, and its current
location.  Mege popped off into a deep sleep.

I was able to partially orient my own system
but not completely.  As to why that is I can only
include it with all my other experiences of trying
to treat myself.  Never with much success.

It could be just me but I suspect it’s the same
for everyone.  A classic example is in the release
process, which as you know, involves the
practitioner holding as the patient’s system
encounters its restrictions.

The patient needs to let go, the therapist
needs to hold.  It doesn’t make sense to me that
you can do both at the same time.  None the less,
never being one to allow good sense to get in the
way of having a go, I tried it anyway, a few
times.  Always the same result.

Just when I was about to release, one of two
things would happen.  The part of me that was
releasing would take over and my whole system
would go into letting go, including the part that
was supposed to be holding.
End result = No release.

Or the part of me that was holding would stay
in charge so my system would never let go.
End result = No release.

So as I said I didn’t have as much success
attuning myself to the new time zone.

Mege, on the other hand, woke up the next
morning feeling FANTASTIC!  Over the next few days
she commented, more than once, on how everyone had
greatly exaggerated the effects of jet lag.  She
couldn’t see what the big deal was.

If you get a chance to treat someone who has
moved time zones recently, can you include what I
have described in your treatment and let me know
if you find something similar.  I suspect you
will.

There is a great opportunity there for someone
who is interested in pursuing the commercial
applications of treating jet lag.  Think of all
the business people who travel through time zones
regularly.  You could set up in an airport, nay
airports around the world and help all these
people deal with their jet lag in a more painless
way.

No, don’t thank me, it’s the least I could do,
what are chums for.  Royalty cheques accepted
graciously.

Also, I finally got the therapist listing up.
Have a look at it here.

http://www.open-source-cranio.com/therapists/listing.html

If you have sent me your details, have a look at
your listing to make sure I spelled your name
correctly etc.  Have a look at some of the other
listings also to see what you could add to yours
to make it more representative of you.

If you haven’t already sent me your details
have a look at the others and see what you are
missing out on.

If I had any doubts about whether it was worth
my while to go to the trouble of creating this
resource, I got an email last week that clinched
it for me.

24/10/06

Hello John,

On Sunday, I spoke to the cranio therapist who is
listed for Ipswich, Queensland. From one
conversation I have regained some hope that my
daughter can be healed. I am a healer, although an
untrained one, but all the symptoms have baffled
me for a long time. I have decided on how to
manage her pains but have had no idea how to
remove them altogether.

When my daughter colours in those body pictures
doctors have that let them know where pain is
located, she colours in every little bit then
darkens the areas that hurt most. It often brings
a smile or chuckle to the doctor but it always
brings such sadness to me. None of them believe
she could possibly be in that much pain.

Since speaking to this practitioner I am daring to
hope that we may be on to something that will
work. My daughter is afraid to hope; there’s just
been one too many times of trying. But we will
start treatments next week. I am reassured after
reading your website. I like how you think and I
like that it matches my philosophies about health
and wellness. Thankyou J

Warmest regards,

Denice.

Get your listing up now and get it as good as
you can.  It WILL make a difference.

Alright, on with the mailbag.

***QUESTION***

Hi John,
I have a question for your newsletter: Chronic
Fatigue. Do you have any pointers for what to
check or work on with patients with this syndrome?

Best regards,

Eva Kuhl Bornefelt
Central Coast

MY COMMENTS:

That’s a great question as always Eva and
thanks for asking it.

Talking about chronic fatigue gives me an
opportunity to go into the sort of process I go
through when I look at any set of symptoms.

I ask myself what is this condition trying to
communicate to the person.  What is it saying?

Why this condition and not another?  Why
chronic fatigue and not fibromyalgia or arthritis
or irritable bowel?

Of all the conditions this person could have,
why do they have this one?

Each set of symptoms add up to a very specific
communication.

So don’t worry about the physical
manifestations?

Not at all.  It’s very important to deal with
them but dealing with them alone won’t necessarily
solve the problem.  Looking at the condition in
this way points you towards the deepest reason for
the condition.

You may not know what the deepest reason is but
at least you will be looking in the right
direction.

Then getting a sense of what the deepest cause
of the condition is will inform you how to deal
with the physical manifestations.

So let’s put it into practice. What is chronic
fatigue communicating?

It’s a syndrome so it contains lots of
different symptoms and few people exhibit all the
symptoms all the time.

The main symptom is in the name – fatigue.  The
person has no energy to do anything.  Sometimes
they will need to sleep a lot, other people are
tried but can’t sleep.

Generally they will have to stop working, stop
their hobbies, significantly reduce their social
life.

So what does this all add up to?
In short the person’s life grinds to a halt.

What is this aspect of the condition
communicating?

Stop.

Stop what?

Stop everything.

Why do we communicate, ‘stop’ to someone?

Generally it’s because there is something about
what the person is doing that we don’t like and we
want them to stop doing it.

No kidding Sherlock.  Is this what chronic
fatigue is communicating?

Generally speaking I’ve found that it’s a main
part of the communication.

For example, if a person has a condition that
is annoying but doesn’t give them too much
discomfort, the communication is generally about
getting their own attention.

‘This is bothering us and we
need our attention about it.’

But it has a, ‘When you can get to it.’ sort of
vibe.

Whereas Chronic fatigue has a, ‘Stop everything
and deal with this NOW!’ sort of vibe.

So look for what is so important to the person,
that when it is in disharmony, they will put their
whole lives on hold until it is resolved.

Another thing to consider when treating someone
with chronic fatigue is their capacity to stay
sick.

Let me explain.  The amount of energy required
to create chronic fatigue is huge.  The people I
have treated for chronic fatigue have usually worn
out about 5 or 6 therapists by the time they get
to me.

If you are very attached to quick results then
maybe you shouldn’t take them on because these
people have huge endurance.  It’s a little
paradoxical. Someone with chronic fatigue having
huge endurance.  But don’t be fooled by the lack
of energy issues.  I have found they have lots of
energy for keeping their lives on hold.

I have found it most helpful to see my role as
facilitating them to discover what the disharmony
that is causing them to press the ‘Pause’ button
on their life is.  And no I don’t necessarily mean
having long, probing, regressive, conversations
with them about it.

The other useful thing when actually working
with their systems is to sit very comfortably in
the timeless aspect of our work.
By that I mean, the depth at which we work.
All going well when you work with someone you will
be in a very meditative state and in that state,
time pauses.  We descend into the moment and in
that, it is eternal.

This is a very handy space to be in with a
condition that has therapists for breakfast.  As
you sit with the person and your system entrains
with theirs.  Your system conveys a quality of
timelessness.  The subtle communication from your
system is,  ‘I could stay here forever.’

You can’t fake this.  It has to be real for
you.  If it’s not you need to meditate more until
it is.

I have found that when someone with chronic
fatigue comes to see me and our systems entrain and
their system gets this, ‘I can wait forever.’
Quality from mine it gives up on the endurance
test and starts to avail of the support to deal
with the underlying disharmony.

***QUESTION***

Dear John,
Thanks for your great newsletters.  I really
appreciate the different areas you talk about.

I’m still struggling with the nuts and bolts of
palpation.

Can you give me some pointers on how to filter out
all the different things I feel when I try to tune
into someone.

Thanks
Pete
Brisbane.

MY COMMENTS:

No worries Pete and thanks for the feedback.

Placing your hands on another person’s body for
the purpose of assisting in their healing process
is a privilege.  Approach each person as if they
were a baby.  In many ways our bodies relate to
touch as babies.

The majority of people you treat will have had
at least one traumatic medical experience.  The
memory of that trauma is locked in their body.

The person may be your best friend or lover but
once they lie down their body will become
cautious, running a dialogue something along the
lines of,

“Hang on a minute. The last time I lay down on
a bench like this and there was another person in
the room who was standing up, IT HURT! WARNING!
WARNING! ALERT! ALERT!”

It’s not like the person is going to jump off
the table and run away, but they will be
defensive.  Don’t take it personally.

From the time you opened the door of your
treatment room, the patient’s body has been
checking you out to see if you are safe.  That
scanning process continues throughout treatment.

The patient’s body will test you to see if you
are there to ‘DO’ something or to be available to
assist it in what it is trying to do.

When you contact a patient’s body it is good to
hold the following intention in your communication
to their body.

‘What are you trying to do?
How can I help you?’

As you know, the contact of the hands on the
body in cranio sacral therapy is exceptionally
light, often described as a Butterfly Touch.  Like
the touch of a butterfly alighting upon the body.

A butterfly is not a moth.  A moth has an
agitated almost frantic quality.  In trying to get
the Butterfly touch happening it is easy to
develop the touch of the moth which is as bad as a
heavy touch.

Now lets break up what you are feeling when you
tune in.  Think of it like this.  As you listen to
a piece of music, many different dimensions of the
music are conveyed to you.  Volume, stereo
balance, tempo, mood etc. Describing the music in
words won’t duplicate the music; it will merely be
words following an experience.

Tuning in to a person’s cranio sacral system is
like listening to music, something is conveyed in
the contact with their body.  In refining your
cranio sacral palpation it’s necessary to identify
each aspect of what you’re feeling with your
hands.  This serves the purpose of highlighting
aspects of the communication that you may not have
noticed.

Sounds hard. Why bother? Why not just go with
the feeling?

Well, the more you can interpret the rhythm the
more you will get a sense of the whole Cranio
Sacral System and where the restrictions are.

It also helps you note subtle changes in the
patient’s body.

It also helps you communicate your palpation to
other Cranio Sacral therapists.

One way to help refine cranio sacral palpation
is to divide it into three aspects; Symmetry,
Amplitude and Quality.

SYMMETRY

Symmetry relates to whether the rhythm is
stronger on one side than the other.  Like the
stereo balance of the music.  With your hands on
the person’s feet you may feel the rhythm stronger
in one foot than the other.  That is called an
asymmetry.  Taking note of symmetry can help you
build a total picture of the whole Cranio Sacral
system.

AMPLITUDE

Amplitude refers to the power and frequency of
the Cranial rhythm. It is described with words
like
* Strong or weak
* Powerful or faint
* Steady or erratic
* Fast or slow

Amplitude can indicate the location of a
restriction in localised areas.  If the general
amplitude in the body is strong yet very weak in
one leg, palpation of that leg will reveal a point
at which the amplitude will change from weak to
strong.  This can indicate the site of
restriction.

Amplitude also includes how the power and speed
of the rhythm relate to each other.  A very slow
rhythm in the whole body can indicate a weak
system.  A very fast local rhythm can indicate a
restriction in the system in this area.  A fast
rhythm manifests in areas that are cut off from
the rest of the Cranio Sacral rhythm through
direct injury or restriction.  A very fast and
powerful amplitude will be more ready to release
than a faint slow rhythm.

QUALITY

Quality refers to the mood, atmosphere or
feeling of the rhythm.  Like music, this aspect of
palpation is quite subjective.  One person’s
passionate song of freedom is another’s anarchic
scream from hell.  When you first palpate for
quality it may present itself to you as having a
predominant attribute like :

* tight or loose
* active or passive
* tense or relaxed
* hard or soft
* solid or fluid
* warm or cool
* agitated or calm
* dynamic or lethargic
* powerful or weak

Usually a cranio sacral system will have a
combination of attributes.  For example it may be
like a dense, liquid softness.

How poetic.

Start waxing lyrical because your job is then
to refine these attributes making them as specific
as possible.  A way of doing this is to relate the
attributes to something that is in your
experience.  You do this by asking yourself the
question, ‘Like what?’  In the above example you
would be asking yourself
‘A dense, liquid softness like what?’

The answer to the question ‘Like what?’ can
take many forms.

* Objects – chair, engine, cage, sponge,
* Elements – fire, earth, air, water
* Substances – wood, metal, wool, lava
* Sound – bells, boom, lullaby, scream
* Fragrance – mildewed, putrid, flowery, fresh
* Light – bright, dark, mottled, pulsating
* Taste -  bitter, sweet, sour, tangy

Keep refining the quality until it is as
specific as possible.  Using the same example your
conversation with yourself should go something
like,

‘A dense, liquid softness like what?’
‘Honey.’
‘What kind of honey?’
‘Honey that has been mixed with milk, but not
watery milk.’
‘What kind of milk?’
‘Condensed milk.’
‘How has it mixed with the honey?’
‘With a barmix.’

This may seem pedantic but it’s important to be
this specific so that you will be able to sense
the beginning of a release.  This may be signaled
by something as subtle as a feeling that the
condensed milk is becoming more viscous as it then
transforms into fresh milk.

GENERAL QUALITY AND LOCAL QUALITY

Each Cranio Sacral System will have an overall
or general quality but within that bigger picture
there will be local areas of different quality.

In a strong solid system, one leg may feel weak
and fragile.  This inconsistency highlights a
possible restriction.  The difference between
general and local quality can take the form of a
general quality of, for example wood and a local
quality in the neck of metal.  This communicates a
disharmony to you.

APROPRIATNESS

It is rare that a patient will be aware of
their own quality. Regardless of how dramatically
it presents itself to you, do not describe it to
them in the terms above.  We use this form of
description to help us focus our attention and in
that it has purpose.  But it won’t mean the same
to a patient and is likely to disturb them.

Telling your patient that their brain feels
like a fungus covered soft cheese is not going to
go down well.  Trust me.

Symmetry, amplitude and quality inter-relate to
give you a comprehensive sense of the cranio
sacral system under your hands.

***QUESTION***

Hello John,
I got your book last week and found it incredible!
What a velvet hammer.  Those innocent little
questions at the end of each chapter really got
me.
Very well done.
I am recommending it to all my patients.

Now here is my question. If a pattern of
restriction has ossified in the cranium, is that
it?  Is it set for good or is it worth treating?

Best wishes.
SP
Arizona.

MY COMMENTS:

Most of our experience of bone is of dead bone.
The sort of stuff that looks like bone china -
dry, brittle, fragile.  As cranio sacral
therapists we are involved in communication with
the body.  It’s therefore most effective to
communicate with bone as it is, which is alive.
Live bone has some qualities which are not
immediately apparent.

For example, live bone is WET.  It’s full of
blood.

Also, it behaves like PLASTIC.  Meaning it
responds to the pressure put upon it.  Wolf’s law
and all that.  Consider the mastoid processes of
your temporal bones.  You didn’t have them when
you were born.  They were pulled out by the
sternocleidomastoid muscle as you were learning to
hold your head erect.

Bone is not stone; it is renewing itself all
the time.  You can use this knowledge to help it
renew itself in a new direction.

There’s a good example of this in one of the
case histories here.

Here’s another thing, bone doesn’t become
restricted in isolation.  This is particularly
relevant in the cranium.  If a bone is restricted,
99 times out of 100, it’s because there is
something pulling it into a restricted state,
often membrane.  The bone doesn’t become
restricted in isolation.  Always look for the
pattern of restriction.

That’s all for now Kate,

If you still haven’t got your copy of my book,
‘Why Do We Get Sick?  Why Do We Get  Better? -  A
Wellness Detective Manual.’ then do yourself a big
favour and get it.  It’s taken me years to learn
and refine the material in that book.
It will help you become a better therapist and
it will make your job easier when your patients
read it.
Read about it here.

You can be reading it in just a few minutes and
discovering the sorts of conversations I have with
patients everyday.

Till the next time.

Your Mate,

John D.

<< Back to Basics 1 syllabus

Fundamentally Cranio Sacral Therapy helps remove trauma from the body. This can be physical trauma, like a car accident, a fall on the back steps or a difficult birth.

Trauma can also be emotional like a deep shock, prolonged unhappiness or witnessing violence. Trauma leaves an imprint in the body, which over time can inhibit normal function and cause pain.

In the example of a car accident, the broken bones and lacerations caused by the accident will heal within a matter of months, but the physical after-effects can go on for years. This is because the crash leaves a deep but subtle imprint in the body. Over time these imprinted patterns of restriction can inhibit the body’s natural function causing an array of symptoms, which progressively worsen.

The body tries to release these patterns of restriction from the moment they are imprinted. Under the right circumstances it can spontaneously free itself of these restrictive patterns, but if the imprint is too intense it overwhelms the body’s ability to effect a release.
Cranio Sacral therapy works with this naturally occurring release mechanism, inducing the ‘right’ circumstances under which a natural release occurs.

With emotional trauma, the process of imprinting a restriction pattern happens in the same way. An intense emotional trauma can be imprinted in the body leaving restrictions, which can cause significant physical problems.

Treatment

There are two aspects to the process of Cranio Sacral treatment. The first is to locate the primary restriction causing the problem. The second is to encourage this restriction to release.

We use highly refined palpatory skills to perceive areas of restriction. Palpation is defined as ‘examining by touch’ or ‘listening with the hands’. It relates to how things feel with your hands.

Rather than pushing or manipulating the body into a set or ‘correct’ position, we use techniques to assist the body to release its own restrictions.
When restrictions are released in this way they are gone for good. Once a treatment program is complete there are no follow up or maintenance programs.

<< Back to Basics 1 syllabus

 

+ Working with the blueprint. – September 07

Hi John
Thanks so much for your continuing newsletter and the great tipsand humour.
I have a double question.
It’s often a lonely place at the coalface and I seem to have peoplecome to me with “last resort” problems that require much from me - I am doing a lot of anatomy and physiology research these days.

First question. Do you think it’s possible for a young man whose body doesn’t make testosterone to get that working again? He is 23 and came to me essentially for massive headaches and his lack of testosterone problem. It was diagnosed at age 15 when he had major back pain. Bone testing revealed his bone age was that of an 8 year old. He has to inject himself 3 x weekly for the testosterone cycle to happen. This injecting ritual is also affecting his mental health - facing this for the rest of his life is depressing.

So, he has major lesion patterns in his head, esp membranes, akin to birth trauma (although his mother reports a “perfect” birth), and his pelvic girdle/sacrum. Unwinding those complex restriction patterns is top of the list, with my intention also on all sites for the production cycle to work normally (including cerebral cortex, hypothalamus and pituitary and testes). I can’t see any reason it won’t, but there seems to be an issue with the ‘kick starting’ of the process. If he is injecting and producing LSH, then his body may not have the opportunity to take over. He has had all the tests and specialists do not have any idea why this is happening in his body.
They can only offer injections for his lifetime.

Can you give me any clues here?

Second question. I have a lot of people with conditions related to experiencing terror in-utero. So, the main problem seems to lie in the central nervous system, and glitches in its development.

These all have the quality of having to return to the blueprint as the major goal. This requires a lot, from both practitioner and client. (This is also the situation for the young man already mentioned)

Can you give some insight into the process of returning to the blueprint?

Luckily, I have had success already in this area, but the symptoms and conditions I’m treating lately, (as well as the overall goal of returning to the blueprint), are extreme and debilitating for the clients.
Patience seems to be the major virtue. Have you any other insights?
Thanks so much for your continued support.
Cheers,
J
Perth, Australia

>>>MY COMMENTS:

Thanks for the feedback I’m glad you are finding the newsletters useful.

‘Do you think it’s possible for a young man whose body doesn’t make testosterone to get that working again?’

Yes. When it comes to people and their bodies I think anything is possible.

Both of your questions revolve around the blueprint and how to work with it so I will answer them together.

It sounds like your palpatory skills are at the point where you are beginning to feel the blueprint, which is great. The downside is that it sounds like you are finding it a bit daunting.

But daunt not because it doesn’t need to be.

The ironic thing is that you have been working with the blueprint from the very beginning of your cranio sacral training. The difference is that now you have reached a level of refinement where you can differentiate the blueprint from the rest of what you are a feeling.

As you know the blueprint is the energetic framework that underpins our bodies. The cells of our bodies being a bit like iron filings on a piece of paper. When a magnet is brought to the underside of the paper the filings are drawn to form the shape of the magnet.

The magnet is like the blueprint. The difference is that the blueprint is not a static rigid thing but moves and grows. The growing part being particularly relevant for your testosterone light patient.

Like many aspects of cranio sacral work, we feel something and learn to work with it but have very little scientific evidence or terminology to describe it. 10 years ago science was enraptured with the mysteries of genetics, with few voices who were saying anything different, one of which was Rupert Sheldrake and he was labeled a kook.

Then the genome was finally mapped and when the party was over there was a dawning that it didn’t have all the answers. That everything wasn’t determined by our genes. This is reflected in the work of the likes of Bruce Lipton in what is being called the New Biology.

The idea of an energetic field or blueprint underpinning our body has been around for yonks and shows up in different cultures in different ways, meridians, charkas, assemblage point and so on.

As I said, the blueprint unfolds during embryonic development. The timing of this unfoldment directs the pace and progress of our embryonic development and once started moves forward with its own pace and rhythm.

It’s like a piece of music that begins at the moment of conception and continues for the rest of our lives. Within the overall piece of music there are movements, passages that have the general themes of the overall music but have their individual beginnings, middles and ends.

If something happens to interrupt the music or a particular beat is missed, it is very hard for the body to fill in the blanks. No magnet – so the iron filings don’t know where to go.

For example the maxillae meet each other and form the hard palate at about the seventh week of embryonic development. If this doesn’t happen then person will end up with a cleft palate.

It sounds like all went well with your patient during the embryonic phase of his development. He decided he was going to be male and the initial flood of testosterone ensured this. The beat that was missed was in his puberty. The second wave of testosterone never happened. So he never matured into a man. It is this point that I would look at in his blueprint.

So how to work with it?
I have found that knowing about the blueprint is the beginning of being able to work with it. It’s the same as when knowing what flexion and extension were before tried to feel for them was a help in being able to feel them.

A useful initial access to feeling the blueprint is to use the cranio sacral rhythm. Think of it in terms of William Sutherland’s description of it as being the ‘breath of life’. Think of flexion as the in-breath and extension as the out-breath of this breath of life. He also described the movement of this breath of life as adding potency
to the cells of the body.

I find this kind of imagery helpful in getting in touch with the blueprint. It always reminds me of a beach, in particular that part of the beach where the sand meets the water. Where, if you write your name in the sand the water will come in and wipe it away and smooth the sand out.

With my hands in contact with the person’s system and my eyes closed, tuning into the cranio sacral rhythm and feeling it in terms of an in-breath that vitalises and recreates an energetic blueprint, each in-breath washes across the cells of the body and they become luminous. Any anomalies in the blueprint itself begin to reveal themselves.

The daunting thing about working with the blueprint is that is energetic. You don’t feel it in the same way as you feel flexion and extension, for example, which is a physical movement. It is felt in the same way you can feel something between your palms when you hold them close together. It’s the same sort of something.

The good news is that once it is felt the blueprint behaves and responds in the same way the body does. So if you get a sense that there was a disturbance in the unfoldment of the puberty movement of his blueprint ‘music’ then it is the same as it would feel if there was a trauma that had occurred to him during his puberty.

But instead of looking to get a sense of a trauma you are looking to get a sense of what interrupted the unfoldment of his blueprint, which, ironically could have been a trauma.

Once you get a sense of where the gap is then you can use your intention to fill it. But not in a directed forceful, ‘I know what needs to be done here.’ sort of way. More with a sense of providing a bridge with your intention across the gap.

It is a little like direct technique in as much as you are encouraging his system to fill in the gap but you don’t make it happen.

As kooky as the blueprint may sound it is still a mechanical kind of thing to work with. Just because it is energy doesn’t automatically imbue it with mystical dimensions.

If he doesn’t improve through working with the blue print you would have to look deeper. What is deeper than the underpinning energetic blue print that holds the cells of our bodies in place?

Well as I said the blueprint is in essence a mechanical structure. It is used by the part of us that knows the bigger picture of ourselves. What our life is about. Why we are a man or a woman, why we chose the parents we did, the country we were born in and so on.

That is a different part of the questions you would be asking yourself about the bigger picture of what his symptoms might mean in the context of the deeper issues he may be working out in his life.

Is he resisting letting go of being a boy and becoming a man? Or is he resisting growing up? The movie, ‘The Tin Drum‘ comes to mind. Were the headaches just a way to get him to come and see you or are they part of the mechanical aspect of how this disharmony is expressing itself.

+ How do you get someone to look at their issues if they don’t want to? – November – 05

Dear John,

I am enjoying your profoundly irreverent letters very much.
I think you are a naughty man.

I have a patient for lower back pain.  She also has many
emotional conflicts and issues within her.  She shows no
interest in addressing these issues.  The opposite in fact.

Here is my question.
Is it possible to invoke someone to address their issues if they
don’t want to?

Kind regards.

N. V.
Singapore.

P.S. Be nice.

>>>MY COMMENTS:

Cute . .

When someone first comes to me for treatment, after the
initial, ‘Hello’, and ‘Take a seat.’ etc.  The first question I ask is,
‘What can I do for you?’
and then I shut up,
and wait.
Whatever their answer is, is what they are asking me to help
them with.

‘No kidding Sherlock.’

That may sound obvious but it’s surprising how many
therapist don’t get it.  From the sounds of it, you might be one
of  them.  [That's me being nice, in case you missed that too.]

Whatever they answer to question, ‘What can I do for you?’

‘I want to sleep better.’
‘I want the headaches to stop.’
‘I want to stop attracting the wrong man/woman.’
‘I want to stop feeling so anxious.’
‘I want to get rid of my fibromyalgia’

It goes to form what I think of as a contract between us.  It
forms the boundaries within which I work and a declaration on
their part of what they want assistance with.

Let’s say someone asks me to help them with a very physical
problem and while treating them, I palpate lots of emotional
disharmonies.  If the emotional disharmonies are NOT causing
the particular physical symptoms I have been asked to help
with, then it would be very bad juju for me to try and start
working on the emotional issues.

First and foremost it’s disrespectful.
It’s like passing someone on the street struggling to carry
a new TV into their house.  They ask me to help them carry
the TV into the house with them.  I do this but once inside the
house I get a dose of ‘Queer eye for the straight guy,’ and take it
upon myself to redecorate the hall, stairs and landing
because, ‘Let’s face it, this person has shocking taste!’

Secondly, it’s more efficient to stick to the contract because it
can always be renegotiated in the future.

How come you are able to palpate the emotional issues in the
first place?

You can only ever see what you are shown.

If you stay within the bounds of the contract, it leaves space
for the person to say to you down the track, ‘I think I would
like you to help me deal with my emotional issues.’

It may sound unlikely but it happens.  It’s another form of
trusting that the person will allow you deeper when they feel
safe.  You’re job is not to invoke them to address their issues
but to provide the safest space you can, allowing them to feel
empowered enough to address their issues, if they’re ready to.

+ What I feel with my hands, am I making it up? – September 05

Mr Dalton.
I feel I am at a crossroads in my craniosacral
training. I have been studying CST for six months.

I have listened carefully to my trainers.
I have read books on CST. I understand the fluid
mechanics of what is happening, in theory.

When I tune into the system I begin to feel things.

Then I begin to wonder am I feeling the rhythm
because I expect to feel it. I wonder if I am
not imagining the whole thing. What I feel with
my hands is so tenuous that I could very well
be making it up.

My trainers say that the feeling will become
clearer with time and practice.

It has been six months now. While I can feel more
than I could at the beginning it is nowhere
as clear as I expected.

I understand that with your experience and in
your position you have a strong vested interest
in ‘believing’ in what you do.

I would appreciate it if you could answer me as
honestly as possible.

Do we make it up?

Regards.

M.S.

Somerset.

>>>MY COMMENTS

Let me tell you right now, it’s not going
to get any easier.. . .

What you are looking for is a kind of certainty.

Where you put your hands on someone’s body and
it lights up like a Christmas tree and you can
see EVERYTHING, every restriction pattern,
every cause.

And the road to health for that person looking
like a well lit highway.

And all this without that awful squirmy feeling
like you are groping around in the dark not really
sure of anything.

I feel for you, but it’s never going to
happen. There is something about this work that
always keeps you at the limit of yourself.

I’ll explain.

When you started to learn six months ago and you
heard about flexion and extension, it probably
all made sense.

Then you put your hands on someone and you tried
to feel it and all you could feel was NOTHING!

And it felt awful.

You trusted your trainers and you persevered.

As time passed you learned new things like feeling
lesion patterns in the sphenoid or some such
and when you tried to feel them, all you could
feel was NOTHING!

And it felt awful.

You looked forward to the day when you wouldn’t
feel that awful feeling.

You didn’t notice two important things.

1) Your palpatory skill was improving and
changing. You were actually feeling more. When
you were struggling to feel whether the sphenoid
had a flexion or extension lesion, you failed to
notice that you were feeling flexion and extension
with relative ease.

2) The awful feeling wasn’t changing. It was the
same awful feeling six month ago that you are
feeling now.

As good as your palpatory skills get,
as good as your diagnostic skills get,
as good as you perceptive skills get,
you will still have that voice in the back of
your head wondering, ‘Am I making this up?’

Outstanding cranio sacral therapists haven’t
eradicated uncertainty, they have mastered it.

It’s not like you get it sorted and never have
to deal with it again. It’s something that goes
on every time you treat someone. It’s one of the
most difficult aspects of cranio sacral work.

I know all this because I went/go through it myself
and I have seen ALL the people I have trained go
through it in one way or another.

Here’s what I suggest: put the question on hold for
another six months. Make a deal with yourself that
for the next six months you are not going to ask
yourself that question. For the next six months
you are just going to take it that what you are
feeling is true. It’s not forever, its just for six
months.

I’m not talking about kidding yourself.
You need to understand what you are trying to do.
You haven’t been conditioned to think in the way
that you’re trying to think when you do cranial work.

Your neuronal pathways are formed in a different way.

Continually asking yourself if you are making it
up won’t allow new neuronal pathways to form.

We are not MRI machines. This is science, but not as we
know it, Jim.

Asking if we are making it up is a question from
another approach.

Because we are not machines we have the capacity
to go far beyond our own expectations and pull miracles
out of the bag. It also means we have the capacity to
have an off day and get it wrong.

To answer your very specific question.

Do we make it up?

Sometimes.

Mostly in the beginning of training.

With experience, 1-2 years minimum, you can begin to
discern when you are making it up? You can spot it
and in time it too becomes another thing to note,
along with the multitude of other things you are
registering as you work.

‘The rhythm is changing, I wonder what that means?

The patient is feeling sadness, I wonder what that
means? Now they are angry, I wonder what that means?
I just made that bit up, I wonder what that means?
Now they are about to release this bit, I wonder what
that means? The sadness is still there. .’ and so on.

Have a good look at what I’ve written. Talk it out with
people who know you and care about you. Cranio sacral
therapy may not be the thing for you. It doesn’t suit
everyone. There are lots of modalities that offer
much more of the certainty you are looking for.

Having said that, I encourage you to persevere.
The rewards far outweigh the difficulties.

And the weird thing is as you become familiar with
and master uncertainty, it permeates your whole life
and it becomes more . . well . . fluid.