|
Student and Therapist Newsletter Archive + Working with the blueprint. - September 07 ***QUESTION*** First question. Do you think
it's possible for a young man whose body doesn't make testosterone to
get that working again? So, he has major lesion patterns
in his head, esp membranes, akin to birth trauma (although his mother
reports a "perfect" birth), and his pelvic girdle/sacrum. Can you give me any clues here? Second question. I have a lot of people with conditions related to experiencing terror in-utero. So, the main problem seems to lie in the central nervous system, and glitches in its development. These all have the quality of having to return to the blueprint as the major goal. This requires a lot, from both practitioner and client. (This is also the situation for the young man already mentioned) Can you give some insight into the process of returning to the blueprint? Luckily, I have had success
already in this area, but the symptoms and conditions I'm treating lately,
(as well as the overall goal of returning to the blueprint), are extreme
and debilitating for the clients. >>>MY COMMENTS: Thanks for the feedback Jenny I'm glad you are finding
the newsletters useful. Yes. When it comes to people and their bodies I think anything is possible. Both of your questions revolve around the blueprint and how to work with it so I will answer them together. It sounds like your palpatory skills are at the point where you are beginning to feel the blueprint, which is great. The downside is that it sounds like you are finding it a bit daunting. But daunt not because it doesn't need to be. As you know the blueprint is the energetic framework that underpins our bodies. The cells of our bodies being a bit like iron filings on a piece of paper. When a magnet is brought to the underside of the paper the filings are drawn to form the shape of the magnet. The magnet is like the blueprint. The difference is that the blueprint is not a static rigid thing but moves and grows. The growing part being particularly relevant for your testosterone light patient. Like many aspects of cranio sacral work, we feel something
and learn to work with it but have very little scientific evidence or
terminology to Then the genome was finally mapped and when the party was over there was a dawning that it didn't have all the answers. That everything wasn't determined by our genes. This is reflected in the work of the likes of Bruce Lipton in what is being called the New Biology. The idea of an energetic field or blueprint underpinning our body has been around for yonks and shows up in different cultures in different ways, meridians, charkas, assemblage point and so on. As I said, the blueprint unfolds during embryonic development. The timing of this unfoldment directs the pace and progress of our embryonic development and once started moves forward with its own pace and rhythm. It's like a piece of music that begins at the moment of conception and continues for the rest of our lives. Within the overall piece of music there are movements, passages that have the general themes of the overall music but have their individual beginnings, middles and ends. If something happens to interrupt the music or a particular
beat is missed, it is very hard for the body to fill in the blanks. For example the maxillae meet each other and form
the hard palate at about the seventh week of embryonic development. If
this doesn't happen It sounds like all went well with your patient during
the embryonic phase of his development. He decided he was going to be
male and the initial flood of testosterone ensured this. So how to work with it? I find this kind of imagery helpful in getting in touch with the blueprint. It always reminds me of a beach, in particular that part of the beach where the sand meets the water. Where, if you write your name in the sand the water will come in and wipe it away and smooth the sand out. With my hands in contact with the person's system and my eyes closed, tuning into the cranio sacral rhythm and feeling it in terms of an in-breath that vitalises and recreates an energetic blueprint, each in-breath washes across the cells of the body and they become luminous. Any anomalies in the blueprint itself begin to reveal themselves. The daunting thing about working with the blueprint is that is energetic. You don't feel it in the same way as you feel flexion and extension, for example, which is a physical movement. It is felt in the same way you can feel something between your palms when you hold them close together. It's the same sort of something. The good news is that once it is felt the blueprint
behaves and responds in the same way the body does. So if you get a sense
that there was a But instead of looking to get a sense of a trauma you are looking to get a sense of what interrupted the unfoldment of his blueprint, which, ironically could have been a trauma. Once you get a sense of where the gap is then you can use your intention to fill it. But not in a directed forceful, 'I know what needs to be done here.' sort of way. More with a sense of providing a bridge with your intention across the gap. It is a little like direct technique in as much as you are encouraging his system to fill in the gap but you don't make it happen. As kooky as the blueprint may sound it is still a mechanical kind of thing to work with. Just because it is energy doesn't automatically imbue it with mystical dimensions. If he doesn't improve through working with the blue print you would have to look deeper. What is deeper than the underpinning energetic blue print that holds the cells of our bodies in place? Well as I said the blueprint is in essence a mechanical structure. It is used by the part of us that knows the bigger picture of ourselves. What our life is about. Why we are a man or a woman, why we chose the parents we did, the country we were born in and so on. That is a different part of the questions you would be asking yourself about the bigger picture of what his symptoms might mean in the context of the deeper issues he may be working out in his life. Is he resisting letting go of being a boy and becoming a man? Or is he resisting growing up? The movie, 'The Tin Drum' comes to mind. Were the headaches just a way to get him to come and see you or are they part of the mechanical aspect of how this disharmony is expressing itself.
|
|
![]() Copyright John Dalton 2007 Top |

